Zoom H2N Handy Audio Recorder
Zoom H2N Handy Audio Recorder. The Workhorse of Field Recorders. The H2n Handy Recorder is the only portable recording device to come with five built-in microphones and four different recording modes: X/Y, Mid-Side, 2-channel surround and 4-channel surround. Other advanced features include automatic gain control and onboard MS decoding, plus effects like compression, limiting and low-cut filtering. You can even use the H2n as a multi-purpose USB microphone!
Microphones, Four Ways of Recording
The H2n offers not one, not two, but five built-in microphones. Two of them are arranged as an X/Y pair, while the other three are configured in an MS (“Mid-Side”) pattern. They can be used separately for X/Y or MS stereo recording, or combined to create stunning 2- or 4-channel surround sound.
Mid-Side for Variable Stereo Width
Mid-Side recording is an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, while maintaining perfect mono compatibility, making it especially useful for film, video and television projects.
The three microphone elements in the H2n MS mic are set directly on top of one another. One faces forward and the other two face to the side.
X/Y For Natural-Sounding Stereo
The X/Y technique provides a great way to cover a wide area while still capturing sound sources in the center with clarity and definition, making it perfect for all types of live stereo recording.
Surround Sound for Lifelike Realism
The H2n allows you to combine the signals from both the X/Y and MS microphones in order to create surround sound recordings of everything you hear—not just those sounds coming from in front of you, but from all directions.
Spatial Audio for VR
The Zoom H2n is the only handheld recorder that captures four-channel surround sound audio. With Firmware v 2.0, it’s perfect for the creation of 360-degree “Spatial Audio” files, the next-generation surround sound format native to the google JUMP Virtual Reality Platform.
Using “Spatial Audio” mode, you can create a single four-channel, multi-track WAV file that includes Omni, Left/Right, and Forward/Backward tracks. This Spatial Audio file is then ready to be combined with 360-degree VR videos recorded with the google JUMP compatible camera rig (such as the GoPro Odyssey or Ricoh Theta). Once completed, the immersive videos are ready to upload to YouTube.
The Ins and Outs
The H2n Line In is a stereo ⅛” mini phone jack that can accept two channels of mic- and/or line-level signals. Condenser microphones requiring Plug-In Power (2.5 volts) can be connected to this jack. An analog-type Mic Gain dial allows you to manually set input level, or you can choose one of the three Auto Gain presets to automatically set the optimum recording level.
The H2n Line Out is a stereo ⅛” phone jack with dedicated volume control. Headphones can be connected to this jack for private monitoring of the input or recorded signal. There’s also a built-in speaker on the back panel for fast monophonic monitoring of the recorded signal without the need to make any connections.
The H2n USB port provides a digital output of the stereo mix and allows data to be sent to and from your computer. From there, it can be imported into editing software such as the supplied WaveLab LE. USB also enables the H2n to be used as a 4-in/2-out audio interface or as a USB microphone.
Features of The H2N
- Five built-in microphones and four recording modes: Mid-Side (MS) stereo, 90° X/Y stereo, and both 2-channel and 4-channel surround
- Analog-type input gain control
- Auto Gain provides three preset recording levels
- Stereo ⅛” Mic/Line In mini phone jack with Plug-in power (2.5V)
- Stereo ⅛” Phone/Line Output jack with dedicated volume control
- Built-in reference speaker for fast monitoring
- Large 1.8-inch backlit LCD display
- Records directly to SD and SDHC cards up to 32 GB
- Supports up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
- Auto-record and Pre-record features
- WAV to MP3 conversion
- Internal mixdown: four-track surround to stereo
- Up to 99 marks per recording
- Built-in effects, including compression/limiting and low-cut filtering
- Onboard MS decoding
- Normalize and Divide functions
- Chromatic tuner and metronome
- Loop playback with user-defined start and stop points
- Variable playback speed, from 50% to 150% for phrase training
- Variable pitch without affecting playback speed
- USB port for data exchange to and from computer and use as a USB microphone
- 4-in/2-out USB audio interface for PC/Mac computers
- SD card reader function
- Data recovery function automatically saves data if power fails or card is removed
- Mounts directly to tripod or DSLR
- Runs on only 2 standard AA alkaline or NiMH rechargeable batteries, or AC adapter (AD-17, USB to AC type)
- Over 20 hours of operation with 2 AA alkaline batteries
Zoom H2N Handy Audio Recorder Specifications
General
Recording Media: | 16MB–2GB SD cards, 4GB–32GB SDHC cards |
Built-In Memory: | Up to 1 minute in 96kbps MP3 format |
(Recording overwrites any previous recording in memory) | |
Mic Arrangements: | 90˚ X/Y stereo, MS stereo with adjustable side mic level |
Recording Modes: | MS, XY, MS+XY (2ch), MS+XY (4ch) |
Microphone Types: | Directional (XY, MS mid mics) |
Bidirectional (MS side mic) | |
Maximum Sound Pressure Input: | 120 dB spl (directional) |
122 dB spl (bi-directional) |
File Formats
Stereo Uncompressed Pcm: | 44.1 / 48 / 96kHz, 16 / 24bit WAV (BWF) |
Compressed Mp3 (Recording): | 44.1kHz, 48kHz |
56 /64/80/96/112/128/160/192/ 224/256/320kbps | |
(Not compatible with MS-RAW recording) | |
Compressed Mp3 (Playback): | 44.1kHz, 48kHz |
32/40/48/56/64/80/96/112/128/160/192/224/256/320kbps | |
4ch Uncompressed Pcm: | 44.1 / 48 / 96kHz, 16 / 24bit WAV (BWF) |
(Two stereo files for each recording) |
Digital Processing
A/D Conversion: | 24-bit 128× oversampling |
D/A Conversion: | 24-bit 128× oversampling |
Signal Processing: | 32-bit |
Recording Time (2GB Card): | 3:08:00 (44.1kHz/16bit WAV), 34:43:00 (128kbps MP3) |
Additional Features
Lo Cut: | 80Hz high-pass filter |
Comp/Limiter: | 3 types of compressors and 3 types of limiters |
Auto Gain: | Automatic input gain adjustment (3 levels) |
Pre-Rec: | 2 seconds of pre-recording |
Auto Rec: | Automatic recording start/stop, continuous standby |
Tuner: | Chromatic, guitar, bass and alternate (A/E/G/D/DADGAD) tunings with automatic string detection |
Metronome: | 40–250 BPM range, five tones, pre-count |
Speed: | Playback speed adjustable between 50–150% |
Key Control: | Playback pitch adjustable ±6 semitones |
(Cannot be used with 96kHz files) | |
Ab Repeat: | Repeats playback between selected points in a file |
File Divide: | Divides a file into two |
File Normalize: | Maximizes file volume |
(Cannot be used with MP3s) | |
File Mp3 Encode: | Converts WAV files to MP3 formats at fixed bit rates |
Mark: | Up to 99 marks |
(WAV files only) | |
Surround Mixer: | Adjusts mix balance when playing back 4ch surround recordings |
Other | |
Display Graphic: | 128×64 pixels backlit LCD |
Input Gain: | 0 to +39 dB |
Input Jack: | Line/mic stereo mini jack with plug-in power |
2 kΩ impedance at input levels of 0 to –39 dBm | |
Output Jack: | Line/headphone stereo mini jack |
Rated Output Level: | −10 dBm (output impedance 10 kΩ or more) |
Headphones: | 20 mW + 20 mW (into 32 Ω load) |
Built-In Speaker: | 400mW, 8Ω, mono |
USB: | Mini-B type |
Card reader operation | |
USB 2.0 High Speed: | Audio interface operation |
USB 1.0 Full Speed: | Supports 44.1 / 48kHz sampling rates and 16-bit rate |
USB bus power operation supported | |
Power: | Two AA batteries, AD-17 USB to AC adapter (DC 5V 1A) |
Continuous operation of 20 or more hours when recording 44.1kHz/16-bit WAV files using alkaline batteries | |
Physical Features: | Tripod mounting socket, strap attachment |
Dimensions: | 67.6mm (W) × 113.85mm (H) × 42.7mm (D) |
Weight: | 130 g (without batteries) |
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